![]() Nevertheless, one would be hard-pressed to overlook the low-budget mixing that mars some of the LP's presentation. "quick to whip up a script like Rod Serling" on "Go with the Flow" or "MCs, ya style needs Velamints" on "Dead Bent") and quotable jewels from the "on-the-mike Rain Man" to feed on. There are more than enough obscure but fun references (i.e. In fact, the album arguably contains some of the freshest rhymes one might have heard around the time of its release. The out-of-left-field edge of Doom's production - which features '80s soul and smooth jazz mixed with classic drum breaks - is indeed abstract at times, but his off-kilter rhymes are palatable and absent any pretentiousness. On his subsequent material, he developed a more steady and refined delivery, but on this debut, Doom was at his rawest and, lyrically, most dexterous. In between, however, many of the villain's rhymes are rather hard and piercing. Carrying the weight of the past on his shoulders, Doom opens and closes Operation: Doomsday with frank and sincere lyrics. Doom was left scarred with a lingering pain that didn't manifest until the late '90s as hip-hop's only masked supervillain on Bobbito Garcia's Fondle 'Em Records. accomplice, DJ Sub-Roc, in the early '90s, Elektra dropped his group and stopped the release of its second album, Black Bastards, due to its political message and, more specifically, its cover art. Doom after MF Doom, then known as Zevlove X, had been devastated by the death of his brother and K.M.D. ![]() The pretext for the album is very similar to that of Marvel Comics supervillain Dr. Simultaneously hailed as an underground classic and cast aside as poorly produced backpack rap, Operation: Doomsday inaugurated the reign of MF Doom in underground rap from the early to mid-2000s.
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